Biography   

b. 1971, Leeds UK

Liz Foster was born in Leeds in 1971. She’s the third of four children, growing up in rural East Yorkshire -  a flat, isolated landscape punctuated by power stations and industrial farms.

After college she applied to the Glasgow School of Art and was accepted onto their first year programme. Initially her intention was to  study printmaking, but she was advised by her tutor that she was a painter - she didn't argue. 

Her life as a painter has unfolded alongside travel, varied work, parenthood, and resilience, a balance that continues to shape her practice. Foster’s paintings embody the push and pull of life’s complexity, drawing on observation, memory, and abstract ideas. Through colour, repetition, and gestural mark-making, she creates expansive, process-led works that invite reflection and slow looking.

Colour has always been central to her work. She recalls her childhood in dark browns and greens—avocado carpets, shiny brown furniture—so colour became, and remains, deeply emotional. Today, her palette is constantly evolving, combining playful intuition with control and precision. This distinctive use of colour has become a hallmark of her practice.

Foster has exhibited widely across the UK, including at the RA Summer Exhibition, the Royal Scottish Academy, the Royal West of England Academy, Mercer Art Gallery, Ferens Art Gallery, and York Art Gallery. Her work is held in both public and private collections in the UK and abroad. She has twice been long-listed for the John Moores Painting Prize.

Alongside her studio practice, she teaches painting and mentors other artists, sustaining an ongoing dialogue that enriches her own process and supports the wider creative community.

LIZ FOSTER contemporary artist | in her studio
LIZ FOSTER contemporary artist | detail of watercolour painting process

Statement

My practice is one of continuous transition and evolution. My current paintings explore ideas around the passing of time; the repetitive brush marks act as a visual representation of transience - counting out moments one by one.

By repeating and building layers of marks, they create a pattern. The pattern, in turn, forms rhythmic motifs and forms that can be read as macro or micro views of the world.

As a process-led painter I don’t plan a final image before I begin. I lay down marks and then respond to them, building a painting by adding, removing and editing the image over several months. I might use a particular colour palette to drive a work, but this also has to shift and evolve as the painting develops. For me, painting is a balance between control and instinct. The final composition only comes into focus towards the end of the process.

My paintings are abstract, reflecting my thoughts, feelings and memories but not illustrating them. The material quality of the paint is equally as important as the theme and colour is always central to what I do.

Painting is a fundamental expression of who I am, it is my language. I find joy in the materials and each work is a new adventure, posing questions and challenges that are limitless and fascinating

Education

2002-04 University of Hull, MA, Fine Art

1990-94 Glasgow School of Art, BA(hons) Fine Art - Drawing and Painting

1993 School of the Art Institute of Chicago - study exchange

Solo Exhibitions

2024 Paintings, Rise@Bluebird, York

2007 Flower, National Trust Beningbrough Hall, York

2007 Miscellany, National Trust Beningbrough Hall, York

2006 Taste, 20-21 Visual Arts Centre, Scunthorpe

1999 New Paintings, Air Gallery, London

1998 Paintings, Taunton School, Somerset

Selected Group Exhibitions

2025 Paper Works, Royal West of England Academy, Bristol

2025 The Other Collective, Rise@Bluebird, York

2023 Leeds Summer Group Show, Leeds Playhouse, Leeds

2023 ArtSpace Open, Old Parcels Office, Scarborough

2022 The Mercer Open, Mercer Art Gallery, Harrogate

2022 Kaleidoscope, The Bowery, Leeds

2022 Joy, Dovecot Gallery, Doncaster

2022 The Ferens Open, Ferens Art Gallery, Hull

2022 Art on a Postcard, The Bomb Factory, London

2022 Colour, Fronteer Gallery, Sheffield

2021 Summer Exhibition, Royal Academy of Arts, London

2021 The Edit, One Good Gift, Sheffield

2021 Towards the Light, The Art Cafe Contemporary, Whitby

2021 Re-Cultivate, Cultivate Gallery, London

2020 New Light ‘Curator’s Choice’, Scarborough Art Gallery, Scarborough

2019 The Ferens Open, Ferens Art Gallery, Hull

2019 YOS Exhibition, St Mary’s Arts Centre, York

2009 Summer Show, The Art Café, Whitby

2008 magical/mystical/nature, Friar Lane Gallery, Nottingham

2006 Multiplicity, Kirkleatham Museum and Art Gallery, Redcar

2004 Painting is Dead, Long Live Painting, Hastings Museum & Art Gallery

2004 Women’s Work, Artlink Gallery, Hull

2003 Unframed, Cupola Art Gallery, Sheffield

1997 York Open, York City Art Gallery, York

1995 6×6, University of Northumbria, Newcastle

1994 New Generation, The Compass Gallery, Glasgow

1994 Paths of Exploration, The Assembly Rooms, Glasgow

1993 R.S.A. Student Exhibition, Royal Scottish Academy, Edinburgh

Awards & Residencies

2023 Artist Surfaces Award - Artist Support Pledge 

1997-98 Artist in Residence, Taunton School, Somerset

1993 Student Exchange Award - School of the Art Institute of Chicago

Art Fairs

2021 art&York (online only)

2019 art&York

2008 London Art Fair, represented by Beverley Knowles Fine Art

Editorial

‘Featured Artist’ – An Interview with the Visual Artists Association – CLICK HERE TO READ

‘Meet the Artists’ – Q&A with ONE GOOD GIFT

‘Aesthetic grit and fish & chips’ – Interview with Northern Soul CLICK HERE TO READ 

LIZ FOSTER | Logo for ArtCan artists membership